Zamperini and Me

"During the Olympics, I tore Hitler's swastika flag off the Reich Chancellery. I thought, 'Boy, what souvenir!'"

Seriously, shoot me if I ever name-drop –– except this once…

“Zamperini and Me” is simple to explain; the late Louis Zamperini had been my neighbor.

I didn’t know he was my neighbor until we were introduced through a mutual friend, Dena, who’d petered out beneath a big tree while jogging one day. A chainsaw firing up above her head caused her to spaz and discover a then 90-year-old Louis Zamperini, 15 feet up and clinging to branches. He guided the saw through a thick limb and only took notice of her when it fell at her feet. Or so she thought.

“Hello!” he shouted, repositioning himself to see her better.

“Hi!” she answered. “Need any help?”

“Nahh, been doing this since I bought the place, thanks. Besides, young lady, you need to keep running. Your form could improve.”

And there it was: constructive criticism from a famed Olympic athlete, a veteran of the men’s 5000 meter race. Apparently, he’d watched her flail all the way up the hill.

He climbed down to meet an equal of sorts; Dena is a short, hugely stubborn Italian. The two hit it off, and before long were enjoying tea as the sunset’s glow reached Zamperini’s collection of Olympic torches in the living room of his hillside post-and-beam home.

Now, I’m already convinced that Dena’s soul is on loan from WWII infantryman turned B-movie filmmaker, Sam Fuller, but she was really on fire after that. “You’ve got to meet Louis,” I heard again and again. “He’s so great and his story is incredible. You’ll really like him.”

I didn’t know the half of it. Read more

Finding Vivian Maier

Finding Vivian Maier, her story, and her posthumous public profile.

Vivian Maier_Memorializing the images of her subjectsFor those familiar with this blog, my affection for the late street photographer Vivian Maier goes deep. She was a woman who had every reason in the world to shout from the rooftops that she’d arrived, but she opted to pursue perfection and technical excellence over fame and fortune. I think one of the reasons her story resonates with people today is that Maier represents a level of dedication and personal character we don’t often see in today’s run-of-the-mill fame whores.

Classic Vivian Maier ImageA Vivian Maier selfie, for example, is an the image I can lose myself in (though I suspect she would have hated the word). Scratch that for just about everyone else on earth.

Since I first discovered early stories of Maier in April of 2011, I’ve watched and commented on the growing awareness of her legend. I’ve even goofed on the emergence of the Vivian Maier “crowd.” (I proudly include myself.)

Now, I’m pleased to report that tonight I’ll be rubbing elbows with a subset of Maier fans once again, at a screening and filmmaker Q&A of Finding Vivian Maier. If anything ridiculous jumps off I’ll update this entry, but it’s doubtful that’ll happen. Documentary types are way more tolerable and less make-believe than dopey gallery crowds anyhow. Read more

Book of the Year Finalist

From secret prison journal pages to 2013 Book of the Year finalist.

indiefab-finalist-imprintThis is for you, Lotus Weinstock – thank you.

With the national dialogue on prison and sentencing reform as loud as it’s ever been in America, I couldn’t be happier that ForeWord Reviews, a quarterly trade review journal, has chosen Where Excuses Go to Die as a finalist for its annual Book of the Year awards.

The winner will be announced in June, in Vegas, at the American Library Association’s yearly pow-wow.

Among 13 other candidates in the autobiography & memoir (adult nonfiction) category, Where Excuses Go to Die is a testament to the insight, character, and generosity of education professionals and workshop instructors to whom I surrendered while incarcerated for, coincidentally enough, the armed robbery of multiple bookstores.

It doesn’t matter whether or not the book wins. What matters is that the rehabilitative methodology and milestone approach used to get my attention back then remains the primary takeaway in any discussion of the book’s merits. Read more